In 2016, Philip.K.Dick's Electric Dreams was filmed at McLaren and I along with other employees took part as an "Extra". During the tedious amount of standing around, I watched the 1st Assistant Director, not knowing what his role was at the time, but he had the loudest voice and seemed to be controlling everything that was going on.
I researched this role when I got home, out of interest as I had no idea what the hundreds of people on a filmset do. Then I discovered a course aiming to be an Assistant Director being offered at the National Film & Television School.
For years, I'd told myself I was going to quit my job and be a photographer. I didn't. Because I was too scared of uncertainty and having no money. I looked at Psychology. Told myself I was going to do courses and help other people. I didn't.
I applied to the NFTS as soon as I saw the course. Half heartedly, because I knew I wouldn't get in to one of the best film schools in the UK, I was old and I didn't have the money anyway.
Then, I decided to think about it, only a little bit. I went to the interview, still not knowing what I was really doing. I was a successful Project Manager. I liked my job. It was interesting and I enjoyed managing the varied projects I had to work with and seeing them succeed and make a difference.
In July 2017, I got an email, offering me at place on the NFTS Assistant Directing and Floor Managing Course starting in September. I was sat at my desk at McLaren and had no idea what I was going to do about this e-mail.
An hour later, I asked my boss for a chat and handed in my 3 months notice. He was not amused. (I don't know if he remembers, that the previous year he had said to me; "Steph, you need to go and work in film or something and be creative"... I laughed this off not knowing the reality of it was to come.
I'd think about how I'd pay for the course, how I was going to go to school for a year and not be able to work. how I was going to pay bills, how I was going to live, later.
I decided that I want to continue living life without regrets. I knew that if I didn't try this, in a few years time, I would wish that I had. I have lived this way for the past 10 years. The biggest thing for me is not to regret something. I have no regrets. At all.
20 years earlier, I turned down a job which would have led me into the TV industry. But I don't regret it. Because my experiences from that point until now had led me to learn a lot and be who I am today. And prepared me for my new chosen career, which isn't too different to the one that I had, ultimately.
When I was about 14, I was determined to work in TV and Film. But I had no idea how. I tried by doing work experience at Nickelodeon and various other places but without the internet, I could only rely on my letter writing and any family contacts - of which there were none. I kinda gave up at that point...
I can't say it wasn't scary. Walking into school at aged 36. Having to meet new classmates, having no idea about the film industry, having no idea really of what I was actually doing... because I didn't think about it. I just did it.
It turned out to be an awesome experience. I learnt a lot, made new friends, made lots of films and enjoyed every minute of it. I also realised how I seem to want to put myself in situations where I am constantly busy, brain working at a hundred miles an hour, managing multiple situations and people. I guess that's how I work best. In work and in life.
The scariest part was finishing school. What now? How do I get a job?
July 2018, whilst working on our graduation film.... I got a call from a lovely 2nd Assistant Director out of the blue, asking if I was interested in working on a Japanese/English TV show. HELL YES! They'd found my blank film CV on Google and couldn't find many Japanese/English speaking runners. And since then, I've found constant work through contacts (initially made at the NFTS) and have luckily worked on some great shows with amazing cast and crews.
My life now is very different to how it was. I had to start right at the bottom again.
I earn a LOT less than I did, my work is always uncertain and I feel like my every day skills are used to shout "Quiet Please. Rolling" and making tea and coffee. I don't even do that. The machine does it. I got quite good at predicting what drink Helena Bonham Carter would want next though...
BUT, eventually, I hope to work my way up and start using my brain a bit more and continue on the path to becoming a 1st AD. This is going to take a while...
I've met so many talented and lovely people along the way and I don't regret any of it. I believe you should always follow your dreams. Happiness comes before anything. You only live once. It's taken me a very long time to work out what happiness is. A VERY long time And I still am not 100% sure of what it is, but I'm working on it. :)
Some fun facts from the last couple of years of tea making:
Zach Woods bought me a Melodica because I was too scared to play the piano
Hugh Laurie inspired me to play the piano again
Josh Gad and Jessica St Clair called me a hot Jedi
Aoi Okuyama is an awesome little sister
Andy Buckley is the friendliest/craziest/kindest man I've ever met
Helena BC and I share a love for tiny things and doors
Olivia Colman sent me to choose and buy a chandelier which is now hanging up in her house.
By the way, the Japanese show I worked on is called Giri/Haji. It's on Netflix. Check it out, its awesome. I made coffee for all of them. :)
P.S: I'm not a director. I don't want to be a director. I will never be a director. A 1st AD works alongside the Director and the Director of Photography (DoP) to create the filming schedule, and make sure it all goes to plan. I've made it sound easy... but I reckon it's probably one of the hardest jobs on a filmset.